Into the Dark: playing Desdemona

My most recent project saw me treading the boards on the London fringe once again, this time in an adaptation of Othello at the Drayton Arms,  called Into the Dark. Directed by Polly Heinkel, training on the directing course at East 15, the show focused on the story of Shakespeare’s play through Iago’s eyes, or rather through…

For it is a truth universally acknowledged…

And so another show comes to an end, and we are once again in that awful space of nothingness that follows. The post-show blues is indeed a truth universally acknowledged (well, in the acting world), and everyone knows that the best way to cope is to get started on the next project as soon as…

The art of reviewing

Last week I had the pleasure of seeing a spot of theatre for free and getting to write about it for the local paper. Still a relative newbie when it comes to reviewing, and acutely aware of the importance of those words from an actor’s point of view, I felt as nervous as if I…

Viola

We are now well into rehearsals for Twelfth Night with the SSA (Southsea Shakespeare Actors), and I am finally starting to sense Viola. This being my first major speaking part, I think up til now I have just been trying to take it all on board – the lines, the many rehearsals, the lines, the…